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Perfect Wrong Note - Learning to Trust Your Musical Self (Softcover), by William Westney
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(Amadeus). In this groundbreaking book, prize-winning pianist and noted educator William Westney helps readers discover their own path to the natural, transcendent fulfillment of making music. Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach.
- Sales Rank: #253791 in Books
- Published on: 2006-06-01
- Released on: 2006-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.81" h x .58" w x 5.69" l, .92 pounds
- Binding: Paperback
- 238 pages
Review
"Clearly the work of a master teacher who has deep knowledge of his subject and enormous empathy for his students and readers." - Betty Edwards, author of Drawing on the Right Side of the Brain" --Betty Edwards
About the Author
William Westney is a past winner of the Geneva International Competition, concert pianist, teacher, and educational innovator. A distinguished professor and artist-in-residence, he has been honoured with many awards and his groundbreaking Un-Master Class performance workshop is in great demand around the world.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent! As a piano teacher and an enthusiastic amateur ...
By Margaret Rose
Excellent! As a piano teacher and an enthusiastic amateur pianist, I appreciate the perspective of this book. Since most of the work of progressing in our art comes not in the lesson, sitting beside the teacher, but at home, alone on the bench, how we approach and think about our practice is all important. And perfectionism is the insidious enemy. Many teachers actively cultivate it in their students, and many never question it. But in The Perfect Wrong Note, Westney demonstrates just how corrosive and paralyzing it is, offering a surprising alternative viewpoint. This is one of the most readable and helpful of the many books on piano playing that line my bookshelf, and I plan to recommend it to my adult and teen students.
9 of 9 people found the following review helpful.
I Was Wondering About What I Was Doing Right. . .
By Edward P. Vogel
Ten years ago I was struggling through learning "Trois Gymnepodie." The chords have a wonderful voice on their own so I pulled them out of the score and put them in a drawing. I would then look at the drawing and play the chords, looking and listening for interesting cadences and rhythms. I went back to the piece and was able to play it from memory about a week later.
I figured I had gotten over a "hump" in my learning music at the piano. Since reading "The Perfect Wrong Note" I have realized that what I did for "Trois Gymnepodie" is something I should do for my entire repertoire. Engage the music creatively, play it backwards, inside out, crazy rhythms, sing it, dance it, draw it. Have fun!
William Westney has reopened a door to child like wonder for me and my piano playing.
I also found the book very engaging to read. It was hard for me to put it down which books from the "self help" genre usually don't do for me.
8 of 8 people found the following review helpful.
Revelation
By J. Hoover
I found this book to be just what I needed. For several years now as an adult returning to the piano I found myself stuck and being unable to further my skills. This book was just the ticket as it made me aware that I was so afraid of making a mistake that it hindered me going any further. It gave me a whole new perspective on making (the inevitable) mistake to be able to move past them. My playing has improved immensely and I am progressing at a rapid pace now that I am able to use the mistakes as a learning tool. I actually enjoy sitting down and practicing again. I recommend this to anyone who feels "stuck" or is a piano teacher.
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